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tline3open  The pseudohallmarks of John A. Cole

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Author Topic:   The pseudohallmarks of John A. Cole
Brent

Posts: 1507
Registered: May 99

iconnumber posted 10-31-1999 05:16 PM     Click Here to See the Profile for Brent     Edit/Delete Message   Reply w/Quote

These pictures show a set of pseudo-hallmarks and an "Olive" type flatware pattern sporting those same marks. Research and good fortune have led me to conclude that the [Head][Lion][C] marks are the manufacturer's mark of John A. Cole of New York City. Here is my evidence.

1.) I have a set of forks in this same pattern with the words J.A.C. PATENT 1853. I once had a set of identical forks with the pseudo-hallmarks only. John A. Cole has the right initials, and was manufacturing coin silver at the right time.

2.) Belden's Marks of American Silversmiths in the Ineson-Bissel Collection illustrates a mark with John A. Cole's name and these same pseudohallmarks. Manufacturers like George Sharp are known to have sold silver marked in very much the same way.

It isn't perfectly conclusive, but the evidence fits. Little has been published about John A. Cole, other than that he began working in New York City in the early 1840's and appears to have gone out of business by 1858.

According to helpful people with access to the patent records, no flatware patents were granted in 1853. It is possible that the patent was withdrawn, or never granted in the first place; we may never know for certain. At any rate, I do believe that this pattern was Cole's. The front side of the pattern is similar to the back, with the addition of a very stylized pendant shell at the tip.

For those of you with a copy of "Silver in the Golden State", this same pattern is illustrated under the name "Olive" and attributed to Frederick Reichel of California. I had an opportunity to handle two different california spoons in this pattern. One had the Cole marks, as well as the K&R stamp of Koehler & Ritter of San Francisco. The other spoon was noticeably lighter in weight and carried a California retailer mark only. My theory is that one of the California manufacturers, probably Reichel, produced copies of Cole's design, probably after Cole went out of business. The Koehler and Ritter marked spoon was probably old stock, as they succeeded Reichel in 1867.


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wev
Moderator

Posts: 4121
Registered: Apr 99

iconnumber posted 10-31-1999 07:03 PM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
Interesting post in an area that deserves much greater attention. I would only offer a small note of caution for the benefit of new collectors. While a particular pseudo-hallmark might be positively associated with a certain maker at a certain time, generalizations need to be made with care. Such marks should always be judged in conjunction with the overall aspect of a piece and with any other marks present. I have, for example, a pair of place spoons with identical pseudohallmarks to those shown in the above post. They are, however, shoulderless with narrow square-cut fiddleback handles and applied spade drops and also carry the mark of the maker, Matthew Pettit (working New York City c 1800-1815). In this case, there is little danger of misidentification. Pettit, however, is known to have marked some items, particularly spoons in sets, with only the pseudo-marks and it is possible that an inexperienced collector could jump to the wrong conclusion entirely. A slightly ludicrous example perhaps, but I think the point worth making.

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Ted

Posts: 17
Registered: Jun 99

iconnumber posted 11-01-1999 03:19 PM     Click Here to See the Profile for Ted     Edit/Delete Message   Reply w/Quote
Nice to know about John Cole. I have had a set of forks & tablespoons in this pattern and couldn't identify them. I do think that we should realize that these hallmarks are actually trade marks, and were the same all the time. As far as the patent date goes, he possibly applied in 1853 and was granted in 1854 or something as simple as that. I would guess that second California set was also made by Cole. My experience, in known patterns, is that they frequently are different weights. I also wonder about the expense and difficulty in producing a die.
Ted Stickney

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Brent

Posts: 1507
Registered: May 99

iconnumber posted 11-01-1999 10:38 PM     Click Here to See the Profile for Brent     Edit/Delete Message   Reply w/Quote
Wev, I would love to see the marks on the Pettit spoons for comparison; any chance of a post?

I should have elaborated more on the patent information. From what I have learned, no patent exists for this pattern for any year. I have been told that all patents for "Olive" pattern variations were withdrawn, due to multiple patent infringement suits. If true, this may have been one of the patterns involved.

I agree that the California spoons could well be from the same die as the others. I was thinking that perhaps the dies were sold and re-used after Cole's business went under. You are also right that weight can vary greatly within a pattern, and shouldn't be used to conclude that flatware was made by different makers.

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Brent

Posts: 1507
Registered: May 99

iconnumber posted 01-14-2000 10:50 PM     Click Here to See the Profile for Brent     Edit/Delete Message   Reply w/Quote

(Letter sent to me by Trefid):

quote:
Hello, Brent--
Saw your post and thought you might be interested in the attached image.
I do not as a rule collect any plain coin silver, but the piece retailed by A.C. Cory was only $2 at a church bazaar, and at that time I'd never seen the mark before.
The OLIVE-type teaspoon has no retailer, while both the dessert spoon and the PRINCE ALBERT fork were retailed by "S.Y. & Co." Do you know where this retailer or Cory was located?
All of the examples are of approximately the same weight, given the difference in pieces.
I'd like to thank you for tentatively identifying this maker for us collectors. Good piece of research! Do you have any other mfr.'s marks up your sleeve? I'm still trying to identify:

  • [eagle] [T] [5-pointed star] in, respectively, circle, diamond, circle cartouches
  • [lion facing left] [anchor] [H] all in oblong or square cartouches

I don't think my photographic skills are up to getting a non-blurry image of the marks themselves, but the former is on a partially-twisted stem w/ wide TIPT ENGRAVED end (a Philadelphia shape), while the latter is from a charming youth knife/fork set--only knife is marked--in Gorham's PRINCESS with the addition of engraved "fishing scenes" and engine turning. (And I assure you that the final letter is a Times-style serif "H", not a Gothic G.)
The knife is also marked coin, and both pieces of the set are engraved "Louie California 1858" on the reverse.
If you have any clues, please let me know.

Cheers--Trefid



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Brent

Posts: 1507
Registered: May 99

iconnumber posted 08-15-2001 02:55 PM     Click Here to See the Profile for Brent     Edit/Delete Message   Reply w/Quote

I just realized that I had never posted my own pictures on this topic, so here they are. I am certain that J.A.C. is indeed John A. Cole. McFadden was a prominent retailer in Pittsburgh, PA.

Brent

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Barbara
unregistered
iconnumber posted 09-07-2001 09:00 AM           Edit/Delete Message   Reply w/Quote
I have a fork with what looks like the same pseudos -- except that the first one is very blurred. And the fork is also literally marked John A. Coles. So I agree with you, Brent, that Coles used these pseudos.

As to when and where he worked:

    Rainwater gives his dates as 1852-58,
    but somewhere she states that she did not go further back in the New York City
    directories than 1852.

    Von Khrum gives 1841-59.

So his actual dates are probably starting in 1841 and ending in 1858 or 1859.

His locations are given as 4 Little Green Street and 8 Liberty Place, but this is the same location: Little Green Street's name was changed to "Liberty Place" during this period, and 4-8 Liberty Place was a single large building (or set of conjoined buildings) where a lot of silver firms were located.

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