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Author Topic:   Condition reports
seaduck

Posts: 350
Registered: Dec 2006

iconnumber posted 05-05-2008 06:14 PM     Click Here to See the Profile for seaduck     Edit/Delete Message   Reply w/Quote
I'm thinking about writing condition reports for some of my pieces as a way of tracking any changes (for example, I have an old Scottish tea service that has some pitting -- every time I pull it out of storage, I see the spots with fresh eyes and wonder if there are new ones or if it has stabilized).

Do any of you do this? Are there tried-and-true conservation/curatorial procedures for noting condition? Is there a vocabulary for noting sides of certain objects (a teapot, for example, would seem to have the equivalent of port and starboard, with the spout being the bow smile ).

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Paul Lemieux

Posts: 1792
Registered: Apr 2000

iconnumber posted 05-09-2008 09:49 PM     Click Here to See the Profile for Paul Lemieux     Edit/Delete Message   Reply w/Quote
Well, I started a cataloging project for my various collections using Microsoft Access. Basically I enter specific information about each piece into the data table. I include: file paths for one or more high-res pictures of the whole piece, its inscription, damage, marks, etc.; list of material(s); maker; dimensions; description of the design; date; etc. The data for each item in the table is then sent to a template I designed, and the result for each piece is a single printable page containing the photographs and textual data. I place each printed page into a binder, thereby creating an illustrated, physical catalog of my collection which is essential in the event of a theft or some other unforseen loss. After just typing this, I realize it all sounds kind of elaborate/tedious, but I think if you at least took photographs as soon as you acquired something, that would be your easiest bet for tracking any changes.

As to procedures for noting condition, I don't know. Most of my items have no damage, but if something does, I merely write an objective assessment of the condition issues, including the size and character of any flaws.

Not sure about vocabulary for noting "sides" of certain vessels.

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seaduck

Posts: 350
Registered: Dec 2006

iconnumber posted 05-10-2008 10:19 PM     Click Here to See the Profile for seaduck     Edit/Delete Message   Reply w/Quote
Hi Paul--

Many thanks for your response and for the info about your cataloging project -- esp because my question about condition reports relates to my own cataloging project. I'm trying to develop a database in Filemaker Pro, which I've never used before. Which means this is a more extensive project than I had originally imagined.

Good brain exercise, I guess.

I wonder if it's possible to post an image of one of your pages? I'll try to do the same...when I get there!

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FWG

Posts: 845
Registered: Aug 2005

iconnumber posted 05-11-2008 11:12 AM     Click Here to See the Profile for FWG     Edit/Delete Message   Reply w/Quote
seaduck,

I don't catalog my silver that way, but I recently developed a Filemaker template for the Anthropology Collections I curate - and I've used Filemaker for other projects for many years. It's an excellent choice. One of the nice things is that you can reconfigure the fields and layout easily at any time, so even if you get well into the project and find something you'd rather do differently it's not hard to do. It's also handy to create multiple layouts for the same records - for example, to print one-line entries so you can do a simple list as well as the detailed full-page entries, or an on-screen layout and a print one.

Having been a data specialist for years (among other things), the most important step in designing such a database is the work that goes in before you even begin. Even though Filemaker makes changes easy this remains true. Take some time and sit down (I often still do this stage with pencil and paper) and think about all the variables you might want to record, and their possible values. Be sure to include a Notes or Comments section as a reasonably large text block, and that can cover most of the special condition notes, dimension notes, presentation engravings, etc. - but just what goes there will depend on what you feel a need to create separate fields for, which will be a matter of your personal interests both in what you collect and how you choose to classify and record the data.

As we would always tell students, the 'correct' design for a database is different for every researcher, for every dataset, and for every set of research questions. Same for collecting. In books and probably online you can find example forms for recording collections, and you can use these as a base, but ultimately the beauty here is that you can make the catalog fit your specific needs.

Back in the old days we would often refer students to the old mainframe SPSS manual, which had wonderful chapters on database design - it could also serve as an introductory statistics text, it was just that good. You don't really need that level for this kind of project, but the key principle of planning the project well as the first step remains. It's also a time to think creatively about how to think about what you collect, which is an interesting exercise in its own right!

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Kimo

Posts: 1627
Registered: Mar 2003

iconnumber posted 05-12-2008 11:25 AM     Click Here to See the Profile for Kimo     Edit/Delete Message   Reply w/Quote
A picture is worth a thousand words.

No two people will use the same terms exactly the same way when describing something. I think that over time, even the same person will not describe an object exactly the same. The best solution is for some photos, especially if the object is subject to slow deterioration.

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seaduck

Posts: 350
Registered: Dec 2006

iconnumber posted 05-12-2008 10:41 PM     Click Here to See the Profile for seaduck     Edit/Delete Message   Reply w/Quote
FWG--

Thanks for the encouragement! I'm going to need plenty. I can visualize the most glorious database, but getting there.... I've read the manual, I've read "The Missing Manual." But I'm completely new to the world of databases, so it's going to be a long road.

Still, it's an appealing discipline, and I have my goal. And, even before your advice, I realized I would need to plan a bit more before I dive in.

I have wondered (yes, I really have) what all the folks who would have been taxonomists in the Victorian era would be doing nowadays. And now I know. They're database engineers.

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Paul Lemieux

Posts: 1792
Registered: Apr 2000

iconnumber posted 05-12-2008 11:25 PM     Click Here to See the Profile for Paul Lemieux     Edit/Delete Message   Reply w/Quote
Yes, planning is essential no matter how simple or complex you will make your database. I had several false starts due to lack of proper planning.

And FWG is quite correct...catalog one's collection(s) is a fascinating exercise. My entire collection of items encompasses a variety of categories--jewelry, silver, avant-garde fashion, curiosities, things shaped like hands, etc. Yet as diverse as these are in terms of age, function, form, material, design, country of origin, and so forth, I was surprised and delighted to find that I could probably divide nearly everything into just 3-5 thematic categories.

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FWG

Posts: 845
Registered: Aug 2005

iconnumber posted 05-13-2008 02:02 PM     Click Here to See the Profile for FWG     Edit/Delete Message   Reply w/Quote
There's an old saying in classification that everyone can be classified as either a lumper or a splitter. My position has always been that each is appropriate, depending on the needs at hand.

I'm actually going to be teaching a course in the fall on archaeological classification - what traditionally would've been called "typology and nomenclature". Since I push it through the next stages I'm calling it "Identification and interpretation of archaeological artifacts", but it's still going to begin with the theory and methods of taxonomy - and the problems that always arise. For the first exercise I'm going to put out a box of something - haven't decided what yet, something the students are likely familiar with but have never thought about classifying, like keys or buttons - and make them develop a classification from scratch! Then we'll probably look at paleolithic tools (for which there are very detailed classifications), and then on to more recent things. I'm still designing the course....

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