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Author Topic:   Gold Cased Portrait Miniature Part Two
labarbedor

Posts: 353
Registered: Jun 2002

iconnumber posted 12-15-2004 03:57 PM     Click Here to See the Profile for labarbedor     Edit/Delete Message   Reply w/Quote
If you haven't read Gold Cased Portrait Miniatures before this thread you are lost.

For some reason the site wouldn't accept 8 pictures so I made it 9 and split it.

The last case is rather unusual. The case seems quite likely hand made. It doesn't show the sophistication of most examples. While it is signed Mme. Maetner (sp?) 1804 it seems unlikely that it is French, at least in the sense of metropole France. With the palm trees in the background it seems likely that it is American in the sense of being from somewhere in this hemisphere. Unfortunately I have never found any miniature artist listed with a similar name. There were a lot of female miniature artists, they often did paintings of women and children as they and their sitters were more comfortable with the relationship, sometimes they were also able to do hair designs as in this one.


I personally would love to see any miniatures out there posted, but am restraining this thread to American metal cased ones. Anyone out there who can show us some? I should warn people that it is dangerous, even for the experienced to open cases like those photographed.

Maurice

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Polly

Posts: 1970
Registered: Nov 2004

iconnumber posted 12-15-2004 04:26 PM     Click Here to See the Profile for Polly     Edit/Delete Message   Reply w/Quote
How beautiful and fascinating! I can't wait to see what else people post.

I have a tiny, miscellaneous collection of a related craft: fittings from hair jewelry, particularly bracelet clasps. Most of these seem to be handmade out of gold-washed silver or low karat gold. They're probably later than the frames you're posting, from the mid 19th century.

I collected them because I thought at one time I would make some new bracelets etc. out of loved ones' hair. (The hair was already missing when I bought the fittings--I certainly didn't destroy old hair jewelry for its fittings!) But making bracelets and watch chains turns out to be harder than it looks, and I now have a drawer full of hair, which causes unsuspecting snoops to yelp "Ew, what's THAT?" when they open it. (I did make a nice hair picture of a basket of flowers out of the hair of seven friends).

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Brent

Posts: 1507
Registered: May 99

iconnumber posted 12-15-2004 05:41 PM     Click Here to See the Profile for Brent     Edit/Delete Message   Reply w/Quote
I am always interested in these non-culinary early silver & gold objects. When you look at silversmiths' advertisements for the 18th and early 19th C, they list large numbers of different items for sale. In terms of survival, though, many of these items are almost unknown to modern collectors and scholars. I'm sure many of these pieces were scrapped when they outlived their usefulness, but I suspect that some are still out there, unrecognized.

Thanks for sharing all of your little gems!

Brent

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agleopar

Posts: 850
Registered: Jun 2004

iconnumber posted 12-15-2004 07:28 PM     Click Here to See the Profile for agleopar     Edit/Delete Message   Reply w/Quote
Maurice, great thread, am just coming in to give a thumbs up to this sort of exposition!
The engine turning on the St. Louis frame is superb.
Do you also include enamel minatures along with the painted ivories?

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labarbedor

Posts: 353
Registered: Jun 2002

iconnumber posted 12-15-2004 11:05 PM     Click Here to See the Profile for labarbedor     Edit/Delete Message   Reply w/Quote
Polly ..

First welcome to the Forums, I sort of read your thread, but was waiting for the dust to settle. There are some disadvantages to being nearly illiterate (in 4 languages), or maybe I am dyslexic. In any case, your enthusiasm is refreshing. Most of the hair jewelry I have seen is only a decade or so later than the St. Louis miniature, if that. I have had or seen some quite interesting pieces. Unfortunately except for English pieces, none were marked. I know that tradition tells us that these pieces were woven from a loved one’s hair, but personally I doubt it. Usually when you find hair in the back of a miniature, it seems to be a souvenir of the sitter (sometimes deceased, so maybe “sitter” is not the best term). The hair is the normal thickness and color expected. On the other hand the bracelets, watch chains, pins, etc. are often coarse brown hair. Often it is fitted in a manor that would be difficult after the manufacture. I also have seen ads for hair jewelry from the time, that doesn’t mention bringing in your own hair. My guess is that most of those watch chains are horse hair (or close to it). I ran into someone who only wanted blond hair, which made me think. I know blonds were less common before peroxide, but certainly one should find different shades of color. Instead 95% of what I have seen is the same coarse brown hair. Please if you have anything unusual, post some photos.

Brent.. I agree, although the term non-culinary threw me for a moment. I have always liked early spectacles and cane heads because they were either very personal or presentation pieces. I know we both like cuff links, but perhaps we should post some other items. Spectacles were often shown in silversmith’s ads c.1845, they might be a start.

Agleopar… I had to check your profile, I thought you might be a friend who has a shop on the west coast. I have dealt in but never collected enamels. I recently sold one at auction, which did fairly well. Most are later, and more (and I don’t really know how to say this) garish. I have seen a few that are real works of art, but they are the exception. I would imagine that early ones were out of the price range of any but the extremely rich at the time of production. It might be out of subject matter, but there were occasionally portrait cameos. I have one from my family, but didn’t include it since I am relatively sure they were all carved and framed in Italy, usually as part of the grand tour.

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agleopar

Posts: 850
Registered: Jun 2004

iconnumber posted 12-18-2004 01:08 PM     Click Here to See the Profile for agleopar     Edit/Delete Message   Reply w/Quote
Thanks Maurice, no not a dealer, but saw an eighteen year old English apprentice enameler in the early seventies painting really fine miniature portraits and have always taken an interest in them. I guess most have been European and the most recent, a friend has, is a French cigarette case with an exquisite (and tastefully done) female nude, probably 1900.

Now I will keep an eye out for painted ones.
A cameo portrait must have been quite a specialty...

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labarbedor

Posts: 353
Registered: Jun 2002

iconnumber posted 12-19-2004 01:32 PM     Click Here to See the Profile for labarbedor     Edit/Delete Message   Reply w/Quote
Oh well I suppose there is no proof the frame isn't American. My memory failed me. Obviously this is a memorial piece, one of the family must have had it done after his death, so while it may have been done on a grand tour, it certainly wasn't his grand tour. In any case portrait cameos weren't rare, but most are either in collections or have been discarded as they seem to rarely hit the market.

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ahwt

Posts: 2334
Registered: Mar 2003

iconnumber posted 12-20-2004 08:15 AM     Click Here to See the Profile for ahwt     Edit/Delete Message   Reply w/Quote
Labarbedor,

I do not know what the metal is that is used on these miniatures and I know you wanted to see American miniatures, but with your French interests I thought you may enjoy seeing this little book It only measures 3 ¾” by 2 ½”. It has a mirror sewn into the inside front cover and has a fold out calendar for the year 1815.

We brought it some years ago to make sure the miniatures would not be removed from the book.


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labarbedor

Posts: 353
Registered: Jun 2002

iconnumber posted 12-20-2004 10:19 AM     Click Here to See the Profile for labarbedor     Edit/Delete Message   Reply w/Quote
Actually I am interested in any miniature, but was only posting American ones in metal frames because of the title of the salon. I think yours are very charming. Unfortunately most of the scenic miniatures I have seen, with a few notable exceptions, are nice but not great quality. I think the book and minitures are more valuable together, thanks for saving them. I think the poem is particularly interesting, although because of the quality of the photo, I can't quite read all the words, very frustrating.Please send me a copy and I will see if I can blow it up and translate it for you. Of course the scene and symbolism are similar to mine. Are there more in the book, especially beside tombs?

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labarbedor

Posts: 353
Registered: Jun 2002

iconnumber posted 12-20-2004 10:23 AM     Click Here to See the Profile for labarbedor     Edit/Delete Message   Reply w/Quote
I should have mentioned that most of the symbols shown in morning scenes have a specific meaning. I would love to find an article where they are all spelled out. I know for instance the dog in the frontpiece would stand for "unquestioning love". At this period all ladies and gentlemen would no exactly what was being said, unlike us.

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ahwt

Posts: 2334
Registered: Mar 2003

iconnumber posted 12-22-2004 03:15 PM     Click Here to See the Profile for ahwt     Edit/Delete Message   Reply w/Quote
Love and Loss American Portrait and Mourning Miniatures, by Robin Jaffee Frank is a beautiful book on miniatures. Befitting the subject, this book is diminutive in size measuring just 7” by 5 ½”. Except for the detail pictures, all the pictures are actual size. Another book is A Loving Likeness American Folk Portraits of the Nineteenth Century by Marna Anderson. This book only shows a few miniatures in gold frames and they are all watercolor on paper.

The pictures below are of several miniatures that my wife found. The one of the gentleman has a gold frame and a locket of hair on the reverse. The artist did have some formal training as the shading he used on the man's face looks right. The lady is also in a gold frame and I would think was painted by an artist with more formal training than the artist of the gentleman. The last picture is of a little girl and is the most appealing to me. She is in a gold frame without a permanent back. As a result the picture can be removed and is the only one that I actually know was done on ivory.

Thanks for the offer to translate some of the pages of our little book. Once I learn how to take better close-ups I will get some of the pages to you.

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labarbedor

Posts: 353
Registered: Jun 2002

iconnumber posted 12-22-2004 04:15 PM     Click Here to See the Profile for labarbedor     Edit/Delete Message   Reply w/Quote
The first one is in a frame typical of the first half of the 19th century. I must say I have never seen a background shaded that way before.

The second is French, it looks quite nice, but it is difficult to tell whether it is of the period or a good example of the copiest. It is worth investigating. It does look as if the edge is water damaged, which is often the case. Unfortunately French miniatures are often signed on the edges.

The third is obviously 20th century. It would need close inspection to make sure it is not painted over a photograph, a common event.

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