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Author Topic:   American colonial tankard makers mark
cleansweepout

Posts: 6
Registered: Aug 2008

iconnumber posted 08-13-2008 10:42 AM     Click Here to See the Profile for cleansweepout     Edit/Delete Message   Reply w/Quote
[26-1714]

Hello,

I just obtained an original American? colonial silver tankard from the original family it was made for in 1747. But cant seem to figure out the maker, by the name.

Any help would be greatly appreciated.

Here are some pics, I believe is is S.DUNN?





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argentum1

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iconnumber posted 08-13-2008 11:23 AM     Click Here to See the Profile for argentum1     Edit/Delete Message   Reply w/Quote
By your profile you are an antiques dealer. I am assuming you purchased the item for resale. As such this is not the appropriate site to ask commercially related questions. The members provide their level of expertise for free and are always willing to share their knowledge with like minded persons. Do what others have done and invest in reference books. This is expensive but as a dealer this is the cost of doing business.

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cleansweepout

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iconnumber posted 08-13-2008 11:45 AM     Click Here to See the Profile for cleansweepout     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by argentum1:
By your profile you are an antiques dealer. I am assuming you purchased the item for resale. As such this is not the appropriate site to ask commercially related questions. The members provide their level of expertise for free and are always willing to share their knowledge with like minded persons. Do what others have done and invest in reference books. This is expensive but as a dealer this is the cost of doing business.

I am a dealer, but I am also a collector of early american items. And this piece was given to me by a friend for my collection. It is not an item that will be resold. Thank You

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argentum1

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iconnumber posted 08-13-2008 12:30 PM     Click Here to See the Profile for argentum1     Edit/Delete Message   Reply w/Quote
My apologies for assuming. The only Dunn I know of is Cary Dunn of New York City ca mid 18th century. The photo image certainly appears to be S. Dunn but I find nothing on him/her. Good luck with finding the person.

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swarter
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iconnumber posted 08-13-2008 12:34 PM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
As long as long as dealers are willing to acknowledge they have read and and will agree to abide by the guidelines, they are welcome to join our other collectors and dealers in silver discussions. Avoiding such misunderstandings is the reason that first time posters are asked to introduce themselves and share with us their interest in silver before requesting help with identifications. Now that you have made clear your intentions we welcome your participation the forums as a collector and student of silver.

I have looked at your images and do not believe the name is S. Dunn. The mark is chattered, and the letters immediately following the D are indistinct; the last letter, an "n," is double struck. Nor do I recognize the medallion on the handle terminal, perhaps a family crest for Phillips? Is there a family by this name in the history of the piece? Are there any engraved initials anywhere on the piece? Additional photos of the entire piece might help provide age and/or location information that would help trace the maker.

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cleansweepout

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iconnumber posted 08-13-2008 12:39 PM     Click Here to See the Profile for cleansweepout     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by swarter:
As long as long as dealers ars willing to acknowledge they have read and and will agree to abide by the guidelines, they are welcome to join our other collectors and dealers in silver discussions. Avoiding such misunderstandings is the reason that first time posters are asked to introduce themselves and share with us their interest in silver before requesting help with identifications. Now that you have made clear your intentions we welcome your participation the forums as a collector and student of silver.

I have looked at your images and do not believe the name is S, Dunn. The mark is chattered, and the letters immediately following the D are indistinct; the last letter, an "n" is double struck. Nor do I recognize the medallion on the handle terminal, perhaps a family crest for Phillips? Is there a family by this name in the history of the piece? Are there any engraved initials anywhere on the piece. Additional photos of the entire piece might help provide age and/or location information that would help trace the maker.


Thank you for the info. I believe the medallion is actually a Spanish "Piece of Eight" And is is from a prominate & Important Rhode Island Family. But dont feel comfortable posting the family name. The lid of the tankard has an engraving of a ship or sloop and is dated 1747. I also thought the mark may have been double struck?

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swarter
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iconnumber posted 08-13-2008 01:31 PM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
quote:
I believe the medallion is actually a Spanish "Piece of Eight" And is is from a prominate & Important Rhode Island Family.

Of course. The Philippus is Philip of Spain. I could have missed something, but I find no appropriate name (S. D--n or S. D---n) in the usual lists of Rhode Island or neighboring Massachusetts or Connecticut makers, so the piece may have originated in another colony, although a quick scan of Philadelphia, Maryland, Delaware, and New York lists did not reveal any possibility, either. It could be possible that the mark carries a variant spelling, such as the omission of a terminal "e" (e.g. "Deane"), is one of those unknown or later identified marks, is an overstamp, or is not American in origin. The tankard looks fairly generic in style - the lack of a finial and the style of the thumbpiece may offer a clue to regional origin - possibly New York. Perhaps someone else will recognize it.

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doc

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iconnumber posted 08-13-2008 04:39 PM     Click Here to See the Profile for doc     Edit/Delete Message   Reply w/Quote
What about Samuel Drowne? The S of the mark looks very similar to that of his mark, and the date would fit as well.

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Kimo

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iconnumber posted 08-13-2008 05:50 PM     Click Here to See the Profile for Kimo     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by cleansweepout:
Thank you for the info. I believe the medallion is actually a Spanish "Piece of Eight" And is is from a prominate & Important Rhode Island Family. But dont feel comfortable posting the family name. The lid of the tankard has an engraving of a ship or sloop and is dated 1747. I also thought the mark may have been double struck?

The coin is not a 'piece of eight' it is called a peseta or 'a piece of two' if you wish to use the corresponding term to 'piece of eight'. The lettering on the coin translates as:
Philippus V D G stands for Philip V Dei Gratia or Philip the Fifth, by grace of God.

The letters near the shield in the middle are read from left to right so you would read them as: 'R II S AP' These stand for 'Reales 2, Sevilla, Pedro Remigo Gordillo and Antonio Montero' That means it is a 2 Real coin (the value), the place where it was minted is Seville, Spain, and I believe the assayers were Pedro Remigo Gordillo and his partner Antonio Montero who assayed in the first half of the 1730s. If it were a piece of eight, the value would be 8 reales and it would be 4 times bigger and heavier than this 2 real coin. It would also have a marking of either VIII or 8 as the value in place of the II.

I am not an expert on early American silver, but given the questions and lack of identification so far, do you think it may be worth while expanding your search to other possible makers than American ones? It seems to be too nicely made to have been made by a relative unknown smith. Or perhaps the tankard could even be later than it appears given the difference in the date of the coin and the inscription on the lid?

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wev
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iconnumber posted 08-13-2008 08:02 PM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
The family name could prove a valuable clue. Is there some controversy attached to its revelation? I am not casting any aspersions; it is certainly your prerogative to retain it, but any bit of information is a step forward.

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swarter
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iconnumber posted 08-13-2008 10:29 PM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
quote:
It seems to be too nicely made to have been made by a relative unknown smith. Or perhaps the tankard could even be later than it appears given the difference in the date of the coin and the inscription on the lid?

Remember that an object may not always bear the mark of its actual maker - it could have been supplied for resale to someone less well known, who might then have added his mark.

Spanish coins were in circulation in the colonies for years, so a coin could be used at any time after the mint date, and the date on the lid could have been added at any time after the tankard was made, which could have been before or after 1747. Although it is indistinct in the photograph, I think I can see that the placement of the mark is to the left of the top of the handle. If that is the case, marks found in that position rather than on the bottom usually are found on earlier pieces, and it is not likely that the tankard would have been made much after 1747.

[This message has been edited by swarter (edited 08-15-2008).]

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Kimo

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iconnumber posted 08-15-2008 10:28 AM     Click Here to See the Profile for Kimo     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by swarter:
Spanish coins were in circulation in the colonies for years, so a coin could be used at any time after the mint date, and the date on the lid could have been added at any time after the tankard was made, which could have been before or after 1847. Although it is indistinct in the photograph, I think I can see that the placement of the mark is to the left of the top of the handle. If that is the case, marks found in that position rather than on the bottom usually are found on earlier pieces, and it is not likely that the tankard would have been made much after 1847.

Hi Swarter. Cleansweepout is saying that the engraving on the tankard's lid says 1747, not 1847.

Cleansweepout, Could you please provide a photo of the engraving on the lid so we can see they style of the engraving? Thanks.

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swarter
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iconnumber posted 08-15-2008 01:10 PM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
quote:
Hi Swarter. Cleansweepout is saying that the engraving on the tankard's lid says 1747, not 1847.
.

That was a typo (it was past my bedtime) - thanks for catching it. I will change it.

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Ulysses Dietz
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iconnumber posted 08-17-2008 11:38 AM     Click Here to See the Profile for Ulysses Dietz     Edit/Delete Message   Reply w/Quote
If you compare this tankard with the one I posted under pre-sterling silver (Inscriptions that enrich the spirit, or some such prattle), you've got a Philadelphia tankard documented to 1740. So this tankard looks about right for 1747. All of Philip V's silver and gold coinage from Spain and from Mexico was common currency in colonial America, and it was all used to make silver. The S. Dunn sure reads that way to me, in spite of the mis-strike.

I'd go to a library and study Patricia Kane's book on New England silversmiths. It's hard to believe there's an undiscovered silversmith who make things this major, but you never know.

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wev
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iconnumber posted 08-17-2008 01:52 PM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
I have a pet theory, which can at best be deemed "very tentative". While investigating Cary Dunn a number of years ago, I got some info from a descendant of the Newport RI line, notes made by some maiden aunt around 1890 or so. She wrote that Cary and his wife Ann (Atkinson) left Newport and went off to New York City, where he found success, while "brother Samuel followed his trade here." As written, it would seem to imply that both brothers were smiths, but I've not found anything else to back it up. Samuel was born in 1724 (and lived into the 1790s), so would have been working by 1747. I had hoped the original poster would reveal the family name -- it would be very interesting if it was Hutchinson, Tourtellot, Dyer, or Clarke, which all tie directly to the Dunn family in Newport.

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swarter
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iconnumber posted 08-17-2008 04:19 PM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
I have never encountered any references to Samuel Dunn or silver by him before, but wev's a lead is certainly worth pursuing, as it is almost too much coincidence. Now that the photos have been restored in the first post, I can see with closer examination that Dunn could be a possibility. This is how new "discoveries" are made.

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bascall

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iconnumber posted 08-17-2008 04:45 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
Samuel Dunn is not found in Esther
Singleton's book Social New York under the Georges, 1714-1776 which has a list of New York City freeman silversmith and other silversmiths. Although Cary Dunn is listed as a silversmith. This not to say she could not have overlooked him. There is mention of a Samuel Dunn in civil records who was a watchmen, a job like that is not something to be looked at too lightly. It was on the city payroll and probably like other city jobs only given to a trusted few in that time. There's nothing to say that this Samuel Dunn wasn't a silversmith or that this particular Samuel Dunn was Cary Dunn's brother.

Here's an "interesting" announcement that was found concerning Benjamin Halstead while looking for Samuel Dunn in New York City: (1764) A premonition to those gentleman that may hereafter have an occasion to employ a silversmith to beware of the villian Benjamin Halstead; lest they be bit by him as I have been. Andrew Bowne.

[This message has been edited by bascall (edited 08-17-2008).]

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wev
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iconnumber posted 08-17-2008 05:32 PM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
The "here" referred to by the old auntie was Newport RI, where the brothers were born, hence my interest in the fact that this tankard descended "from a prominent & Important Rhode Island Family", to quote the OP.

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bascall

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iconnumber posted 08-17-2008 05:43 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
Here it is. Thank you for the correction.

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bascall

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iconnumber posted 08-17-2008 05:53 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
Vital record of Rhode Island, 1636-1850, first series, births, marriages and deaths : a family register for the people by James N Arnold editor of the Narragansett Register shows Cary's brother Samuel's birth date as 19 July 1747?

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wev
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iconnumber posted 08-17-2008 06:02 PM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
Wrong guy. That is not Cary's brother, but his nephew, the son of Samuel (the possible silversmith), who married Esther Tourtellot in 1746.

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bascall

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iconnumber posted 08-17-2008 06:10 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
I see. Samuel and Esther also named a child Cary. There is a mention of a Samuel Dunn who was born in 1724 and died in 1797.

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Kimo

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iconnumber posted 08-19-2008 08:24 AM     Click Here to See the Profile for Kimo     Edit/Delete Message   Reply w/Quote
Another thought. The strike is clearly doubled in some way, but I am not sure I can clearly see on my monitor that it is S. Dunn over S. Dunn. Could this be an overstrike of S. Dunn on top of another mark? Or could the strike be a spurious addition at a later date? It bothers me that no one has heard of this smith when the tankard is clearly the work of an experienced master smith. If it is the Samuel Dunn who has been mentioned as being born in 1724 then he would have been about 23 when he made this tankard which is possible but seems a bit young for such a masterful work.

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cleansweepout

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iconnumber posted 08-19-2008 08:48 AM     Click Here to See the Profile for cleansweepout     Edit/Delete Message   Reply w/Quote
Thanks for all the great info & research everyone has been doing on my tankard. The top of the tankard has an engraving of a Sloop and is marked "SLOOP REPRISAL" 1747. I will try to add a pic later today. I did find out that the Sloop Reprisal was a Privateer Sloop that took many prizes during the King Georges War. And the originl owner of this tankard was a part owner of the sloop.

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bascall

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iconnumber posted 08-19-2008 09:56 AM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
The Reprisal was outfitted in Providence as a privateer in 1744 which points toward Samuel Dunn as the maker of this piece.

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cleansweepout

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iconnumber posted 08-19-2008 10:01 AM     Click Here to See the Profile for cleansweepout     Edit/Delete Message   Reply w/Quote
The biggest problem I seem to have is I cant find any info on Samuel Dunn as a silversmith? There is some info on Samuel Dunn who was a Captain of the Privateer Sloop Revenge in the late 1740's. And was was also a Captain of one of the boats who burned the Gaspee during the Rev War. But dont know if he is the same Samuel Dunn?

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swarter
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iconnumber posted 08-19-2008 10:55 AM     Click Here to See the Profile for swarter     Edit/Delete Message   Reply w/Quote
quote:
could the strike be a spurious addition at a later date? It bothers me that no one has heard of this smith when the tankard is clearly the work of an experienced master smith.

It seems illogical to suggest that a spurious mark of an unknown smith would be made or used, rather than that of a well known maker. I suppose it is possible, however unlikely, that an owner would have a punch made with his name, although engraving certainly was the traditional method of indicating ownership.

There is a lot of silver with untraced marks (mostly spoons, but some major pieces, too) - many makers (or resellers) remain, for whatever reasons, under the radar.

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bascall

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iconnumber posted 08-19-2008 12:36 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
Ownership of the sloop Reprisal as a privateer was divided into eighths between Henry Paget, Stephen Hpkins, John Mawney, John Andrews, three Lippitt brothers Christopher, Jeremiah, and Joseph, and Eliphalet Dyer. The first seven were from Providence and the last was from Connecticut.

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wev
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iconnumber posted 08-19-2008 03:03 PM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
You are missing Rhode Island Deputy Governor Darius Sessions, Stephen Hopkins' neighbor.

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cleansweepout

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iconnumber posted 08-19-2008 03:24 PM     Click Here to See the Profile for cleansweepout     Edit/Delete Message   Reply w/Quote
The original owner of this tankard has npw been metioned in a previos post. As I mention, the family did not want me to post it. So we know as I oreviously mention this was owned by a very important & wealthy RI Family. But still does not claify the maker. I have spent many hours trying to find any info on Samuel Dunn as a silversmith, with no real luck. It is ashame not to really be able to atribute this piece to a maker.

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wev
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iconnumber posted 08-19-2008 03:45 PM     Click Here to See the Profile for wev     Edit/Delete Message   Reply w/Quote
As I said, I have found nothing more in the last few years past the lady's notes. It is a tantalizing possibility, but I have read many such family histories and know how slippery they can be. Until something more is discovered, it must stay a question mark. Do the family papers of the prominent owner exist? That would be a place to start.

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bascall

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iconnumber posted 08-19-2008 05:09 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by wev:
You are missing Rhode Island Deputy Governor Darius Sessions, Stephen Hopkins' neighbor.

David Swanton and William Still are also in the count of one time owners, and there's probably more shares that changed hands. My list was complete as given, but it is not a history of the sloops owners.

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bascall

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iconnumber posted 08-19-2008 07:35 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by cleansweepout:
The original owner of this tankard has npw been metioned in a previos post. As I mention, the family did not want me to post it. So we know as I oreviously mention this was owned by a very important & wealthy RI Family.
Just a guess then, the likely original owner is Stephen Hopkins.

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Silver Lyon

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iconnumber posted 08-20-2008 10:50 AM     Click Here to See the Profile for Silver Lyon     Edit/Delete Message   Reply w/Quote
Could the 'S. Dunn' be an owners stamp?

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bascall

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iconnumber posted 08-20-2008 01:26 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
The originator of this thread knows who the owner was, so on the surface at least, it doesn't appear that the mark would match the owner.

The Samuel Dunn that was born in 1724 and came from Newport to Providence may have had more than one occupation, but he is recorded as having been a sea captain like his father. In 1753 he bought a lot on Town Street, and in 1780 he bought a house and lot on North Main and Benefit Street. Samuel Dunn died in 1791 Cape Francois, W I.

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Ulysses Dietz
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iconnumber posted 08-25-2008 09:35 AM     Click Here to See the Profile for Ulysses Dietz     Edit/Delete Message   Reply w/Quote
Just a general comment, because the Samuel Dunn thing is so tantalizing...many skilled people moved from one career to another, especially if that career (silversmithing) depended on a need for luxury goods. Paul Revere became, essentially, a banker in later life. So if Samuel Dunn worked in Rhode Island for only a short time--a couple of years--as a silversmith, and then went on to other things (ship captain?) there might in fact only be a tiny handful of things that survived. I don't know what percentage of 18th-century silver survives, but I'll bet it's a tiny fraction of what was made, what with melting down for new silver being so routine until the 1840s. Tankards are out of date as a form by 1790, and this one only survived as an heirloom.

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Polly

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iconnumber posted 08-25-2008 12:30 PM     Click Here to See the Profile for Polly     Edit/Delete Message   Reply w/Quote
Why did tankards go out of style? Was it just a question of fashion, or did drinking habits change in some way that made them no longer useful & brought new forms into popularity?

Also, I wonder how you would go from silversmith to ship's captain. Seems to me the careers would require a whole lot of very different training, social connections, and so on.

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bascall

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iconnumber posted 08-25-2008 01:23 PM     Click Here to See the Profile for bascall     Edit/Delete Message   Reply w/Quote
Both professions were in this family in the same and consecutive generations.

It is easy to imagine a very young man doing an apprenticeship which was no small feat when done in the traditional manner and included, according to how an apprentices's contract was written, a decent amount of eucation in the liberal arts. And then letting economics or personal preference pull him into another profession when the age of majority was reached.

At the time all this was happening, Providence, Rhode Island was relatively unknown in the nautical world, and there was an awfully lot jobs to be filled and money to be made in privateering.

[This message has been edited by bascall (edited 08-25-2008).]

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