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Silverplate Forum Mark on salt?
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Author | Topic: Mark on salt? |
Patrick Vyvyan Posts: 640 |
posted 10-28-2004 05:32 PM
Does anyone recognize the mark on this salt, or suggest the approx date or country?
Many thanks IP: Logged |
Dale Posts: 2132 |
posted 10-29-2004 01:18 PM
This looks like a silversmith's mark, typically US. Pieces do exist where silversmiths experimented with the new process of electroplating. So did pewterers. Which might be an even better place to start. Does this appear to be spun from a sheet, formed in a mold or made over a form? Were the pieces plated then assembled or the other way around? Interesting item. Thank you for putting it up. IP: Logged |
Patrick Vyvyan Posts: 640 |
posted 11-02-2004 05:43 PM
Many thanks, Dale, for your thoughts. You've now got me very pleasantly worried! As with many neglected salts, there was susptantial corrosion and pitting on the piece when I bought it. I soaked it in ammonia and when I cleaned it, I thought I could see places where the salt had corroded through the silver to the base metal. I have continued to polish the piece, especially the inside, and the more I polish the more silver-like it beomes. As for technique, the whole bowl seems to be one piece - with the legs added, I guess. More than once I've bought silver which has turned out to be silverplate - but this is the first time I may just have bought silverplate which turns out to be silver! If you think there is any possibility that this could be American coin silver, perhaps you could transfer this topic. Thanks IP: Logged |
Dale Posts: 2132 |
posted 11-02-2004 10:31 PM
I am not sure Patrick what it is. My initial gut reaction was, and still is, that this is an old pewter piece that had been plated at some point. Sometimes old pewter will take a shine that very much resembles old silver; sometimes it won't. So, this is a fascinating mystery item. Does anyone here recognize the mark? The cross on strikes me as more typical of pewterers than silversmiths. On the other hand, I have seen a few pieces where the silversmith plated something and used his stamp on it. But this is another area where there has been virtually no research. The number of smiths who experimented with new techniques is clearly not understood. Great piece. Does it appear spun or cast? Which is very difficult to make out sometimes. IP: Logged |
Kayvee Posts: 204 |
posted 11-06-2004 06:35 PM
I'm not convinced your salt dish is an American piece on stylistic grounds. The ribbon-tied reeded borders are a design motif that originated in France in the 18th C. This design to my knowledge did not catch on in America, but has been very popular in Europe. Also the raised cross in a shield mark looks Austrian to me, specifically Raab, but I don't have enough experience with early Austrian marks to be sure. Are there members out there who could venture an opinion on an Austrian origin? IP: Logged |
Silver Lyon Posts: 363 |
posted 11-11-2004 05:41 AM
I have a piece with the identical markings (there are clear horizontal lines behind the cross as part of mark, so I suggest that it may be the Coat of Arms of the town where the pieces were made. My piece is factory-produced, a circular pill box, oval in cross-section, like a small tobacco box - the lid has die-stamped decoration and the whole LOOKS to me Germanic and c.1920 (what a dealer might call c.1900. It is certainly silver of lower grade (probably .800) - now all we need is a book of European City Coats of Arms!! IP: Logged |
swarter Moderator Posts: 2920 |
posted 11-11-2004 01:34 PM
European Civic Coats of Arms by Jiri Louda (Hamlyn; London, 1966) illustrates no such coat. There are several shields with plain crosses that run from margin to margin (Most are Italian, and a couple French), but none confined to the center of the shield. The illustrated shields are identical except for the background and cross colors, which are solid. If the horizontal lines in the background of your punch are a heraldic symbol for a color, we might be able to identify it, assuming the artist's renderings are only conceptual and not accurate in every detail. Otherwise, if it is a city coat of arms, it has been omitted from this compendium. IP: Logged |
Patrick Vyvyan Posts: 640 |
posted 11-11-2004 04:19 PM
Thanks to everyone for your interest. Dale - To be honest, I don't know if it's spun or cast - what should I be looking for? Kayvee and Silver Lyon, thanks for your suggestion of a German or Austrian origin. When I first got this piece, I wondered about the shield being for Switzerland. But then I told myself it was too obvious!!!!!
Could it be? I've tried to clean up my mark, but so far as I can see there is no additional detail (it's tiny, no more than about 1 mm square). IP: Logged |
Dale Posts: 2132 |
posted 11-11-2004 11:35 PM
When a piece is spun, there are usually on the interior very fine concentric circles which show the spinning process. When a piece is raised up from a sheet there will be ever so slight irregularities in the surface, ones felt but not seen, that indicate the hammaring process. When a piece is cast, the overall feel and look will be uniform. Learning these takes a lot of handling, emphasis on hands not looking. Running your fingers over what looks like a smooth surface is part of the process. Regularity betrays machine process. The old hand crafters left behind traces of their art. Are there any posts here on these subjects? IP: Logged |
blakstone Posts: 493 |
posted 11-13-2004 01:26 PM
If I had to identity it on stylistic grounds alone, I’d have to say mid-19th Century European. But based on the marks, I think both Austria & Switzerland can be ruled out (assuming that it is silver, not plate). Austrian marks are well-recorded and they are certainly none of those; the Raab mark which the cross resembles was no longer used after the late 17th/early 18th Century. Swiss marks are much less well-known. They followed the typical German-style city guild system in the 18th century, were under French control during the Napoleonic era, and were nationalized in 1883 under a system which – with some changes – is still in force today. Unfortunately the huge dearth of information on Swiss marks occurs precisely during the mid-19th century: from the end of the Napoleonic era to the nationalization of marks in 1883. However, it is known that precious metal control was under the jurisdiction of individual cantons during this period. The problem here is that the well-known Swiss cross was (and is) the national heraldic device, not that of an individual canton, so I doubt it would be used as a hallmark during the period and it is not recorded in the (admittedly meager) literature. (The canton of Schwyz did have a mark – shown in Tardy p. 391 – that was a single cross in a shield, based on the Canton Arms, but the cross is not centered: it should be in the upper right corner. Moreover, this was the mark used before the Napoleonic era; I have no reference for its use after that.) I will offer one peculiar idea, just to stir the pot. There was a European city in the 19th century which used a single cross in a shield identical to yours as its silver guaranty mark, and which would be accompanied by that of the maker’s initials, and that was Tallinn (also called Revel), Estonia. This mark – and variations of it – were used until 1842, when Estonia became under Russian control and Russian-style marks were used at the new Assay Office in Tallinn. Here’s an example, being two marks of Gustav Weiss, fl. 1791-1814:
This is from “Väärismetalltööd Eestes 15.-19. Sajandini” [roughly “Estonian Precious Metal Work 15th –19th Century”] by E. Vende (Tallinn: Kirjastus Kunst, 1967) which has a list of makers in Talinn, but not one, unfortunately, with the initials “OW”. Like I say, I offer this only to stir the pot, and on the assumption that the item in question is silver. Very nice salt cellar, though! IP: Logged |
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