SMP Logo
SM Publications
Silver Salon Forums - The premier site for discussing Silver.
SMP | Silver Salon Forums | SSF - Guidelines | SSF - FAQ | Silver Sales

The Silver Salon Forums
Since 1993
Over 11,793 threads & 64,769 posts !!
Continental / International Silver Forum
How to Post Photos REGISTER (click here)

customtitle open  SMP Silver Salon Forums
tlineopen  Continental / International Silver
tline3open  ? Silver Marks on cloisonne salt

Post New Topic  Post A Reply
profile | register | preferences | faq | search

ForumFriend SSFFriend: Email This Page to Someone! next newest topic | next oldest topic
Author Topic:   ? Silver Marks on cloisonne salt
wendlekins

Posts: 50
Registered: Nov 2004

iconnumber posted 05-01-2006 10:00 AM     Click Here to See the Profile for wendlekins     Edit/Delete Message   Reply w/Quote
[26-1029]

Hi,

I wonder if anyone can help me with these marks on a silver salt?

It looks like M in a circle has been stamped several times over a hallmark.

I wonder if it is Russian?

Many thanks
Wendy

IP: Logged

IJP

Posts: 326
Registered: Oct 2004

iconnumber posted 05-01-2006 05:48 PM     Click Here to See the Profile for IJP     Edit/Delete Message   Reply w/Quote
I can't help with identifying these marks, although it does not appear to me that they include any known silver standard marks. I can say, however, that the enameling technique in use here appears to be champlevé rather than cloisonné.

From the American Heritage Dictionary:

quote:
champlevé
  • A technique of decorating metal in which areas that have been hollowed out, as by incising, are filled with colored enamel and fired.
[French, champ, "field" (from Old French, from Latin campus) + levé, "raised"; see levee.]

cloisonné

  • Decorative enamelwork in which metal filaments are fused to the surface of an object to outline a design that is filled in with enamel paste.
  • The art or process of producing such enamelwork.
[French, past participle of cloisonner, "to partition", from Old French cloison, "partition", from Vulgar Latin clausio, clausion, from Latin clausus, past participle of claudere, "to close, lock".]

In cloisonné enamelwork, the thread-like filaments are usually very visible, slightly raised above the surface of the enamel itself. Here, the enamel is flush with the surface of the metal, which says to me that the piece was engraved with a design and later filled with enamel in the negative space.

IP: Logged

tmockait

Posts: 963
Registered: Jul 2004

iconnumber posted 05-01-2006 05:53 PM     Click Here to See the Profile for tmockait     Edit/Delete Message   Reply w/Quote
I cannot make sense of the marks either, but the dark spot at the top of your photo looks like base metal beneath what might be silverplate. It could, however, be an illusion created by the photographing.

Tom

IP: Logged

wendlekins

Posts: 50
Registered: Nov 2004

iconnumber posted 05-01-2006 06:07 PM     Click Here to See the Profile for wendlekins     Edit/Delete Message   Reply w/Quote
Many thanks for your help.

The black mark is were it needs cleaning.

Thanks for explaining the enameling terms. Very helpful. I was told that the real hallmarks had been obliterated by these stamped marks. But that does seem a little strange.

Thanks again
Wendy

IP: Logged

outwest

Posts: 390
Registered: Nov 2005

iconnumber posted 05-01-2006 10:08 PM     Click Here to See the Profile for outwest     Edit/Delete Message   Reply w/Quote
When I went to visit my Aunt a few months ago I had a lot of fun looking at all her old silver. She has Victorian plated tea set from 1870-1880 that is quite elaborate. In checking them out I looked at the mark. On every piece the makers mark had been scratched and then stamped over and obliterated by a retailers mark. She said her Grandmother had told her that they were from England and at that time Americans didn't want to buy English silver so much of it had the makers marks scratched out. I have no way of knowing if this story is at all true, but she believed it.

I wish I had taken a picture of them. It was quite obvious that it was intentional.

IP: Logged

outwest

Posts: 390
Registered: Nov 2005

iconnumber posted 05-01-2006 10:27 PM     Click Here to See the Profile for outwest     Edit/Delete Message   Reply w/Quote
Here are two examples of Cloisonne:
    This one is copper from 1900-1915:


    and this one is brass from mid 20th(?):
The enamels are slightly different as are the wire shapes. In the older copper one the enamels are singular colors and in the newer one they had perfected a gradation of color within the wires.

There was cloisonne produced by the Japanese with silver wires, but the Chinese never used silver.

IP: Logged

sazikov2000

Posts: 254
Registered: Jan 2005

iconnumber posted 05-03-2006 06:03 PM     Click Here to See the Profile for sazikov2000     Edit/Delete Message   Reply w/Quote
outwest -

please read again what ILP wrote and tried to explain as exact and understandable as possible! The technic used in your fotos is CHAMPLEVÉ not CLOISONNÉ.

sazikov 2000

IP: Logged

dragonflywink

Posts: 993
Registered: Dec 2002

iconnumber posted 05-03-2006 07:56 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
Quite sure that outwest understood IJP's post, her examples appear to be classic Chinese cloisonne and she was illustrating the difference from wendlekin's champleve piece. Here is a detail of Japanese cloisonne with akusake (pigeon blood) enamel, from a pair of 1920s-30s lamps I used to own. Would have to say, having mostly experience with Oriental cloisonne, that they are usually buffed smooth and the wires are at the same level as the enamel. Seems to me that champleve sometimes has a slightly hollowed effect, like there wasn't quite enough enamel to fill the depression

Cheryl wink

IP: Logged

outwest

Posts: 390
Registered: Nov 2005

iconnumber posted 05-03-2006 11:26 PM     Click Here to See the Profile for outwest     Edit/Delete Message   Reply w/Quote
No, Sazikov, mine are classic Chinese Cloisonne - see the wires? As dragon said, I was trying to show how they are different. Please read IJP's post again. wink

Your Japanese piece is nice. You'll see that the flowers on that are done with wires, also. That makes it Cloisonne. Also, Japanese enamels were sometimes translucent, but Chinese never are. The piece that started the post appears to have translucent enamel.

It would be nice if someone had an example of Japanese silver cloisonne to share. I know they made it, but I haven't seen it.

[This message has been edited by outwest (edited 05-03-2006).]

IP: Logged

sazikov2000

Posts: 254
Registered: Jan 2005

iconnumber posted 05-04-2006 12:30 PM     Click Here to See the Profile for sazikov2000     Edit/Delete Message   Reply w/Quote
Sorry outwest! My mistake!

Japanese CLOISONNÉ is very different from European CLOISONNÉ. The wires seem not to be soldered to the base material one by one but fabricated through some galvanic process, filled with enamel and than grinded plain. Very near to the CHAMPLEVÉ technic.

Sorry again!

sazikov2000

IP: Logged

dragonflywink

Posts: 993
Registered: Dec 2002

iconnumber posted 05-04-2006 03:59 PM     Click Here to See the Profile for dragonflywink     Edit/Delete Message   Reply w/Quote
Watched some Chinese cloisonne artists working at an exhibit at Epcot many years ago, the wires were shaped individually and soldered to the base one by one. Most pieces were buffed smooth, others were left with the wires raised. Understand that some recent pieces are being made now with the wires fabricated onto a fine mesh and the sheet then applied to the base piece before enameling.

On the Japanese akusake piece (similar items were fairly common, most date from the late 1800s into the 1930s), the cloisonne work is usually referred to as silverwire, and the rims and wires on my lamps were of a silvery tone, but appeared to be nickel silver. The pigeon blood enamel is very rich and done over a textured base including a bamboo design on the back.

Cheryl wink

IP: Logged

wendlekins

Posts: 50
Registered: Nov 2004

iconnumber posted 05-05-2006 06:00 PM     Click Here to See the Profile for wendlekins     Edit/Delete Message   Reply w/Quote
Thank you all for your pictures and information . Does anyone have any idea where my salt could be from ??
Wendy

IP: Logged

All times are ET

next newest topic | next oldest topic

Administrative Options: Close Topic | Archive/Move | Delete Topic
Post New Topic  Post A Reply
Hop to:


Ultimate Bulletin Board 5.46a


1. Public Silver Forums (open Free membership) - anyone with a valid e-mail address may register. Once you have received your Silver Salon Forum password, and then if you abide by the Silver Salon Forum Guidelines, you may start a thread or post a reply in the New Members' Forum. New Members who show a continued willingness to participate, to completely read and abide by the Guidelines will be allowed to post to the Member Public Forums.
Click here to Register for a Free password

2. Private Silver Salon Forums (invitational or $ donation membership) - The Private Silver Salon Forums require registration and special authorization to view, search, start a thread or to post a reply. Special authorization can be obtained in one of several ways: by Invitation; Annual $ Donation; or via Special Limited Membership. For more details click here (under development).

3. Administrative/Special Private Forums (special membership required) - These forums are reserved for special subjects or administrative discussion. These forums are not open to the public and require special authorization to view or post.


| Home | Order | The Guide to Evaluating Gold & Silver Objects | The Book of Silver
| Update BOS Registration | Silver Library | For Sale | Our Wants List | Silver Dealers | Speakers Bureau |
| Silversmiths | How to set a table | Shows | SMP | Silver News |
copyright © 1993 - 2022 SM Publications
All Rights Reserved.
Legal & Privacy Notices