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British / Irish Sterling A Pair of Salts and a Remarkable Coincidence
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Author | Topic: A Pair of Salts and a Remarkable Coincidence |
TBC Posts: 134 |
posted 01-28-2006 12:23 PM
Some weeks ago I purchased (on eBay) a 1742-43 three legged "horse shoe" footed salt as I am especially drawn to 1740's English/ Irish silver. A nice little piece, the maker's mark was virtually obliterated and the silver itself rather dull - despite an intensive polish. Imagine my surprise when last week I say a very similar salt for sale also on eBay. This time the year was "f" for 1741-42 and the maker's name was legible - EW under a crown in an oval cartouge, as seen in Jackson's p 193, and identified there as Edward Wood. Naturally, I purchased it (for twice the price of the first) Here's a picture of the two:
The first one I purchased (1742) is on the left. The marks on the second one (1741) are:
The marks on the first sale (1742) are:
Curiously, the following initials are on one of the feet of the first (1742) salt:
Although very rubbed, the maker's mark on the first salt possibly shows signs of being Edward Wood. The second salt I purchased seems to be made of better silver than the first and for some reason takes a far better shine - perhaps it was professionally polished recently. The vendor of this one on eBay told me that it had been purchased by his wife in a retail shop some years ago. The first salt I purchased (the one with the worn maker's mark) seems to be much thinner than the second - consistent, I guess, with rubbed marks. Then again, even if two pieces began life from the same workshop, if they were separated and a goodly part of the last 263 or 264 years apart, who knows what differential treatment they could have received. I would be very interested in hearing your comments on the foregoing. Best wishes to all. Tom IP: Logged |
Silver Lyon Posts: 363 |
posted 01-29-2006 12:17 PM
What satisfying purchase (s). It is however not surprising that they appear to come from the same workshop. By the 1720s, indeed even earlier too, the London silver manufacturing trade had become broken up into specialist areas, salt making being one of them. Edward Wood (who was apprenticed to a maker of many salts, James Roode) makes little, if anything, else in his lifetime and is the master (teacher) of the famous salt maker David Hennell. To keep it short (and this is Silver-Lyon think, not published fact) the shape of your favourite style of salt results from the ability to mass produce pieces using the new spinning technology driven by water power - using this small quantities of silver could be employed to make bigger (and therefore cheaper and more saleable) pieces at lower cost. The salts come in many different weights or qualities. I would argue that your favourite salts are a perfect example of style being driven by technology... The feet are castings and may well have been bought in from yet another specialist maker! [This message has been edited by Silver Lyon (edited 01-29-2006).] IP: Logged |
asheland Posts: 935 |
posted 01-30-2006 02:08 AM
Those are very nice! I didn't know they were spinning holloware that early. Do you know about when that started? IP: Logged |
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